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Learn more about our creative and process-oriented approach to graphic facilitation!

women deliver conference graphic recording by tanya gadsby of fuselight creative in vancouver bc

Hiring a Local vs. Non-Local Graphic Recorder

 

Tanya Gadsby is Fuselight’s Creative Director and Graphic Facilitator.

 

Graphic recording is a growing industry. Although it’s been in use since the 1960s, in the last 15 years there has been an explosion of graphic recorders taking up the pen. Our international membership organization, the IFVP, has a global map of graphic recorders that’s growing steadily year-to-year:

 

map of graphic recorders, scribes, graphic facilitators, visual practitioners

IFVP map showing graphic recorders around the world.

 

Many graphic recorders travel long distances for conferences. Often it’s because we have a specific expertise, way of working, or a long-standing relationship with the client. But since there are more and more graphic recorders around the world, is travel always necessary? Beyond cost savings, what value can a local graphic recorder deliver compared to a non-local graphic recorder?

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Case Study: Calgary Stampede Graphic Recording

 

A case study explores the details behind what went into a project, the challenges, approach, results, and what could be improved for next time. The live illustration we created at the Calgary Stampede is a good example of how to use interactive graphic recording at a large scale event. This case study gives a behind-the-scenes look at our planning, design process, and how the graphic recording had a lasting impact at the event.

 

The Calgary Stampede is one of the world’s largest rodeos and attracts upwards of 1.2 million people during the course of ten days in July. But it’s not only about the rodeo! There are exhibits on all aspects of agriculture – from chickens to growing veggies to sheering sheep. Many of the attendees are tourists from around the world, some of whom have little knowledge about agriculture in Canada.